Revelation of John 4:2-3

Verse 2. And immediately I was in the Spirit. Rev 1:10. He does not affirm that he was caught up into heaven, nor does he say what impression was on his own mind, if any, as to the place where he was; but he was at once absorbed in the contemplation of the visions before him. He was doubtless still in Patmos, and these things were made to pass before his mind as a reality; that is, they appeared as real to him as if he saw them, and they were in fact a real symbolical representation of things occurring in heaven.

And, behold, a throne was set in heaven. That is, a throne was placed there. The first thing that arrested his attention was a throne. This was "in heaven"--an expression which proves that the scene of the vision was not the temple in Jerusalem, as some have supposed. There is no allusion to the temple, and no imagery drawn from the temple. Isaiah had his vision (Isaiah 6) in the holy of holies of the temple; Ezekiel, (Eze 1:1)by the river Chebar; but John looked directly into heaven, and saw the throne of God, and the encircling worshippers there.

And one sat on the throne. It is remarkable that John gives no description of him who sat on the throne, nor does he indicate who he was by name. Neither do Isaiah or Ezekiel attempt to describe the appearance of the Deity, nor are there any intimations of that appearance given from which a picture or an image could be formed. So much do their representations accord with what is demanded by correct taste; and so sedulously have they guarded against any encouragement of idolatry.

(a) "in the spirit" Rev 17:3, 21:10, Eze 3:12-14 (b) "throne" Isa 6:1, Jer 17:12, Eze 1:26,28 (c) "sat" Dan 7:9, Heb 8:1
Verse 3. And he that sat was to look upon. Was in appearance; or, as I looked upon him, this seemed to be his appearance. He does not describe his form, but his splendour.

Like a jasper--ιασπιδι. The jasper, properly, is "an opaque, impure variety of quartz, of red, yellow, and also of some dull colours, breaking with a smooth surface. It admits of a high polish, and is used for vases, seals, snuff-boxes, etc. When the colours are in stripes or bands, it is called striped jasper."-- Dana, in Webster's Dic. The colour here is not designated, whether red or yellow. As the red was, however, the common colour worn by princes, it is probable that that was the colour that appeared, and that John means to say that he appeared like a prince in his royal robes. Compare Isa 6:1.

And a sardine stone--σαρδιω. This denotes a precious stone of a blood-red, or sometimes of a flesh-colour, more commonly known by the name of carnelian.--Rob. Lex. Thus it corresponds with the jasper, and this is only an additional circumstance to convey the exact idea in the mind of John, that the appearance of him who sat on the throne was that of a prince in his scarlet robes. This is all the description which he gives of his appearance; and this is

(a) entirely appropriate, as it suggests the idea of a prince or a monarch; and

(b) it is well adapted to impress the mind with a sense of the majesty of Him who cannot be described, and of whom no image should be attempted. Compare De 4:12: "Ye heard the voice of the words, but saw no similitude."

And there was a rainbow round about the throne. This is a beautiful image, and was probably designed to be emblematical as well as beautiful. The previous representation is that of majesty and splendour; this is adapted to temper the majesty of the representation. The rainbow has always, from its own nature, and from its associations, been an emblem of peace. It appears on the cloud as the storm passes away. It contrasts beautifully with the tempest that has just been raging. It is seen as the rays of the sun again appear clothing all things with beauty--the more beautiful from the fact that the storm has come, and that the rain has fallen. If the rain has been gentle, nature smiles serenely, and the leaves and flowers refreshed appear clothed with new beauty; if the storm has raged violently, the appearance of the rainbow is a pledge that the war of the elements has ceased, and that God smiles again upon the earth. It reminds us, too, of the "covenant" when God did "set his bow in the cloud," and solemnly promised that the earth should no more be destroyed by a flood, Gen 9:9-16. The appearance of the rainbow, therefore, around the throne, was a beautiful emblem of the mercy of God, and of the peace that was to pervade the world as the result of the events that were to be disclosed to the vision of John. True, there were lightnings and thunderings and voices, but there the bow abode calmly above them all, assuring him that there was to be mercy and peace.

In sight like unto an emerald. The emerald is green, and this colour so predominated in the bow that it seemed to be made of this species of precious stone. The modified and mild colour of green appears to every one to predominate in the rainbow. Ezekiel (Eze 1:28) has introduced the image of the rainbow also in his description of the vision that appeared to him, though not as calmly encircling the throne, but as descriptive of the general appearance of the scene. "As is the appearance of the bow that is on the cloud in the day of rain, so was the appearance of the brightness round about." Milton also has introduced it, but it is also as a part of the colouring of the throne:-- "Over their heads a crystal firmament,

Whereon a sapphire throne, inlaid with pure

Amber, and colours of the showery arch."

Paradise Lost, b. vii

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